Margaret Mitchell

Margaret Mitchell

Margaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949) was an American author, who won the Pulitzer Prize in 1937 for her novel Gone with the Wind. The novel is one of the most popular books of all time, selling more than 30 million copies (see list of best-selling books). An American film adaptation, released in 1939, became the highest-grossing film in the history of Hollywood, and received a record-breaking ten Academy Awards. She has been honored by the United States Postal Service with a 1¢ Great Americans series postage stamp.

Margaret Mitchell was born in Atlanta, Georgia to Eugene Mitchell, a lawyer, and Mary Isabelle, much referred to as Maybell, a suffragist of Irish Catholic origin. Mitchell's brother, Stephens, was four years her senior. Her childhood was spent in the laps of Civil War veterans and of her maternal relatives, who had lived through the Civil War.

After graduating from Washington Seminary (now The Westminster Schools), she attended Smith College, but withdrew during her freshman year in 1918. She returned to Atlanta to take over the household after her mother's death earlier that year from the great Spanish flu pandemic of 1918.

former residence of Margaret Mitchell

Shortly afterward, she defied the conventions of her class and times by taking a job at the Atlanta Journal. Under the name Peggy Mitchell she wrote a weekly column for the newspaper's Sunday edition, thereby making her mark as one of the first female columnists at the South's largest newspaper. Mitchell's first professional writing assignment was an interview with an Atlanta socialite, whose couture-buying trip to Italy was interrupted by the Fascist takeover.

Mitchell married Berrien “Red” Upshaw in 1922, but they were divorced after it was revealed that he was a bootlegger and an abusive alcoholic. She later married Upshaw's friend, John Marsh, on July 4, 1925; Marsh had been best man at her first wedding and legend has it that both men courted Mitchell in 1921 and 1922, but Upshaw proposed first.

She is also the distant cousin to famous gunfighter/dentist, Doc Holliday, who participated in the Gunfight at the O.K. Corral. It is also thought that she modeled Ashley Wilkes, a main character in Gone with the Wind, after Holliday.

Using Mitchell's scrapbooks from the Hargrett Rare Book and Manuscript Library at the University of Georgia, editor Patrick Allen collected 64 of the columns Mitchell considered her best work. They were published in 2000 under the title Margaret Mitchell, Reporter.

Her portraits and personality sketches in particular show a promise of her skill to portray the kind of characters who made Gone With the Wind the second best-selling book, next to the Bible, at the time of publication.[dubious – discuss] Even as a supposedly neutral reporter, her irrepressible personality shines through. This collection of Mitchell's journalism transcends fact-gathering, showing Mitchell as a young woman and providing a compelling snapshot of life in the Jazz Age South. 

the book Gone with the Wind

Mitchell is reported to have begun writing bedridden with a broken ankle. The house where Mitchell lived while writing her manuscript is known today as The Margaret Mitchell House and located in Midtown Atlanta. A museum dedicated to Gone with the Wind lies a few miles north of Atlanta, in Marietta, Georgia. It is called "Scarlett On the Square", as it is located on the historic Marietta Square. It houses costumes from the film, screenplays, and many artifacts from Gone With the Wind including Mitchell's collection of foreign editions of her book. The house and the museum are major tourist destinations. The 1994 TV movie A Burning Passion: The Margaret Mitchell Story, starring Shannen Doherty, told the story of Mitchell's professional and personal life through the time of the publication of "Gone With the Wind."

Clayton County, the area just south of Atlanta and the setting for the fictional O'Hara plantation, Tara, maintains "The Road to Tara" Museum in the old railroad depot in downtown Jonesboro.

For decades it was thought that Mitchell had only ever written one complete novel. (In fact, periodically claims are made that she never wrote it at all due to the lack of any other published work by her). But in the 1990s, a manuscript by Mitchell of a novel entitled Lost Laysen was discovered among a collection of letters Mitchell had given in the early 1920s to a suitor named Henry Love Angel. The manuscript had been written in two notebooks in 1916. In the 1990s, Angel's son discovered the manuscript and sent it to the Road to Tara Museum, which authenticated the work. A special edition of Lost Laysen — a romance set in the South Pacific — was edited by Debra Freer, augmented with an account of Mitchell and Angel's romance including a number of her letters to him, and published by the Scribner imprint of Simon & Schuster in 1996.

Mitchell lived as a modest Atlanta newspaperwoman until a visit from Macmillan editor Harold Latham, who visited Atlanta in 1935.[3] Latham was scouring the South for promising writers, and Mitchell agreed to escort him around Atlanta at the request of her friend, Lois Cole, who worked for Latham. Latham was enchanted with Mitchell, and asked her if she had ever written a book. Mitchell demurred. "Well, if you ever do write a book, please show it to me first!" Latham implored. Later that day, a friend of Mitchell, having heard this conversation, laughed. "Imagine, anyone as silly as Peggy writing a book!" she said. Mitchell stewed over this comment, went home, and found most of the old, crumbling envelopes containing her disjointed manuscript. She arrived at The Georgian Terrace Hotel, just as Latham prepared to depart Atlanta. "Here," she said, "take this before I change my mind!"

the movie Gone with the Wind

Latham bought an extra suitcase to accommodate the giant manuscript. When Mitchell arrived home, she was horrified over her impetuous act, and sent a telegram to Latham: "Have changed my mind. Send manuscript back."[citation needed] But Latham had read enough of the manuscript to realize it would be a blockbuster. He wrote to her of his thoughts about its potential success. MacMillan soon sent her a check in advance to encourage her to complete the novel — she had not composed a first chapter. She completed her work in March 1936.

Herschel Brickell, a famous literary critic for the New York Evening Post, reviewed Mitchell's book in an article titled " “Margaret Mitchell’s First Novel, ‘Gone With the Wind,’ a Fine Panorama of the Civil War Period.” His review helped launch Mitchell's career by calling attention to what would become one of the best novels of the Southern Renaissance. Over time, Brickell and Mitchell became extremely close; much of their correspondence has been published and is available in the archives at the University of Mississippi. Brickell was also a correspondent, friend, and adviser to other southern writers including Eudora Welty, Truman Capote, William Alexander Percy, Marjorie Kinnan Rawlings, Zora Neale Hurston, Stark Young and Allen Tate.

Gone With the Wind was published on June 30, 1936. The book was dramatized by David O. Selznick, and released three years later. The premiere of the film was held in Atlanta on December 15, 1939.

Gone with the Wind was such an overnight success that its publisher George Platt Brett, President of Macmillan Publishing, gave all its employees an 18% bonus in 1936.

Margaret Mitchell's tomb

Mitchell's grave in Oakland Cemetery in AtlantaMitchell was struck by a speeding automobile as she crossed Peachtree Street at 13th Street with her husband, John Marsh, on her way to see the British film A Canterbury Tale at The Peachtree Art Theatre in August 1949. She died at Grady Hospital five days later without regaining consciousness. The driver, Hugh Gravitt, was an off-duty taxi driver. He was driving his personal vehicle at the time, but his occupation led to many erroneous references over the years to Mitchell’s having been struck by a taxi. After the accident, Gravitt was arrested for drunken driving and released on a $5,450 bond until Mitchell's death several days later. Georgia Gov. Herman Talmadge announced that the state would tighten regulations for licensing taxi drivers.

Gravitt was later convicted of involuntary manslaughter and served 11 months in prison. His conviction was controversial because witnesses said Mitchell stepped into the street without looking, and her friends claimed she often did this.

She was buried in Oakland Cemetery in Atlanta.

Edwards, Anne. Road to Tara: The Life of Margaret Mitchell New Haven: Tichnor and Fields, 1983.
Farr, Finnis. Margaret Mitchell of Atlanta: The Author of Gone With the Wind.New York: William Morrow, 1965.
Pyron, Darden Asbury. Southern Daughter: The Life of Margaret Mitchell and the Making of Gone With the Wind. New York: Oxford University Press, 1991.
Walker, Marianne. Margaret Mitchell & John Marsh: The Love Story Behind Gone With the Wind. Atlanta: Peachtree, 1993.
king ten Academy Awards. She has been honored by the United States Postal Service with a 1¢ Great Americans series postage stamp.

Margaret Mitchell in writing

Writers of the Century ---
Margaret Mitchell

Margaret Mitchell may have written only one major novel in her career, but then again, so did another Southern writer, Harper Lee. GONE WITH THE WIND, like TO KILL A MOCKINGBIRD, is a masterpiece of literature.To some, GONE WITH THE WIND screams schmaltzy romance.These same people often believe Margaret Mitchell was simply a southern belle who got lucky writing about beaus and war. Not true. Margaret was a beauty --- like her infamous character Scarlett --- and like Scarlett, she was a very curious, smart, and clever woman who shocked the world with her three and a half pound novel.

Margaret lived to the fullest, looking for passion and love --- never stopping to ask permission or dutifully submitting to anyone's will but her own. She was certainly ahead of her time, a female bestseller who was, gulp, divorced. It is not simply her epic novel that delights and inspires generations of readers, but also her own personality, that shines through in and beyond GONE WITH THE WIND. There is a reason for the cult following --- everyone who has read the book has a story to go along with it, including me.

I was 13 when my mother gave me her battered copy of GONE WITH THE WIND. She had purchased it in a secondhand bookstore on some hidden military base in Bangkok, Thailand. I was impressed by its age and by the fact that my mother had held onto this volume through her many moves to and throughout the United States.

Her eyes sparkled when she told me about Scarlett's scandalous flirtations and her will to survive. I was intrigued by my mother's attachment to GONE WITH THE WIND because she never read novels and generally considered them fluff. But something about this book captivated her. My mother, the realist, was under Scarlett's spell.

I quickly became as enchanted with this novel as my mother was. Her tattered copy has never left my possession and it remains my bedside book of choice. Ten years later, I still read it frequently and often crack it open to the description of the barbecue or to the detailed catalog of Scarlett's summer wardrobe. Even fellow readers and lovers of GONE WITH THE WIND look at me strangely when I explain my desire to reread the book over and over. They don't understand. The familiarity and comfort this novel gives me is nothing I can articulate.

When I'm feeling anxious, I go to my shabby volume and open it up to any page and read for as long as I need to. This simple practice has put my mind at ease when the stress and pressure of graduate school gets to be too much. GONE WITH THE WIND is the perfect salve for my chafed brain when I get impatient with American Modernism or the New Critics become tiresome. Tara, is a home of sorts to me, as it was to Gerald O'Hara and his family.

Because I read GONE WITH THE WIND as a young girl first experiencing puberty and the maddening behavior of the opposite sex, Scarlett served as a role model for me. Margaret Mitchell cleverly de-emphasized Scarlett's conformity to the traditional beauty of the time. She was not beautiful, according to Mitchell and the standards of the Civil War South, but there was something about Scarlett that appealed to men and women. At 13, I was hardly beautiful or charismatic --- I knew that --- but I thought that maybe I would eventually have that something special. Maybe when I was 16 or 17, something inside of me would emerge and charm everyone. To a 13-year-old girl, already willingly caught up in the excitement of romance and adventure of literature, Scarlett O'Hara was the ultimate role model.

I have found excitement, and, at times, what I thought was true love. The excitement was fleeting and the love flickered and burned itself out time after time, but Scarlett and Tara still shine. No amount of time or cynicism will tarnish the gleam of their story. It continues to thrill both me and the devoted readers who have also developed relationships with the characters in GONE WITH THE WIND. I don't often thank my mother for everything she does for me, but I must remember to thank her for her copy of this book. I am certain that it will remain my bedside book of choice, a welcome rest for my heart and soul, until I am forced to listen to it on audio.

--- Lynn Ramsson